{"id":6194,"date":"2018-06-29T17:28:03","date_gmt":"2018-06-29T16:28:03","guid":{"rendered":"http:\/\/livre-europeen.eu\/?p=6194"},"modified":"2019-02-17T17:03:07","modified_gmt":"2019-02-17T16:03:07","slug":"eurodance","status":"publish","type":"post","link":"http:\/\/livre-europeen.eu\/?p=6194","title":{"rendered":"Eurodance"},"content":{"rendered":"
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\n\n\n\n
\n

Pr\u00e9-s\u00e9lection 2018<\/h3>\n

cat\u00e9gorie : Roman
\npays : France<\/h4>\n

\"\"<\/strong><\/p>\n

 <\/td>\n

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Eurodance<\/h1>\n

Aur\u00e9lien Bellanger<\/h2>\n
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    \n
  • Parution : <\/strong>5 avril 2018<\/li>\n
  • Editeur : <\/strong>Gallimard<\/li>\n
  • Pages : <\/strong>72<\/li>\n<\/ul>\n
    \nL<\/span>‘eurodance est un courant musical transeurop\u00e9en contemporain des grandes utopies de la fin du second mill\u00e9naire : la fin de l’histoire, le trait\u00e9 de Maastricht et le triomphe de la logistique. L’\u00e9poque est aux grands projets d’infrastructure et \u00e0 la coop\u00e9ration internationale, au laboratoire du Cern et au tunnel\u00a0sous\u00a0la\u00a0Manche.
    \nL’Europe\u00a0d\u00e9chir\u00e9e\u00a0par\u00a0l’histoire\u00a0commence\u00a0\u00e0\u00a0croire\u00a0\u00e0\u00a0une\u00a0paix\u00a0possible.
    \nL’eurodance, la musique de f\u00eate de la jeunesse de ces ann\u00e9es-l\u00e0, est pourtant d’une tristesse infinie.
    \nL’eurodance est peut-\u00eatre le dernier grand courant artistique transeurop\u00e9en.
    \nCe\u00a0texte\u00a0propose\u00a0de\u00a0l’entendre\u00a0comme\u00a0une\u00a0\u00e9l\u00e9gie\u00a0europ\u00e9enne.
    \nC’est la premi\u00e8re partie d’un spectacle appel\u00e9\u00a01993, spectacle jou\u00e9 par des acteurs n\u00e9s cette ann\u00e9e-l\u00e0, et mis en sc\u00e8ne par Julien Gosselin.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
    \n

    2018, Pr\u00e9-s\u00e9lection, Roman, France<\/h4>\n

    Eurodance<\/span><\/h1>\n

    Aur\u00e9lien Bellanger<\/span><\/p>\n

    \n","protected":false},"author":1,"featured_media":6195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[313],"tags":[388],"genre":[459],"annees":[461],"wps_subtitle":"","_links":{"self":[{"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=\/wp\/v2\/posts\/6194"}],"collection":[{"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6194"}],"version-history":[{"count":4,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=\/wp\/v2\/posts\/6194\/revisions"}],"predecessor-version":[{"id":9670,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=\/wp\/v2\/posts\/6194\/revisions\/9670"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=\/wp\/v2\/media\/6195"}],"wp:attachment":[{"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6194"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6194"},{"taxonomy":"genre","embeddable":true,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fgenre&post=6194"},{"taxonomy":"annees","embeddable":true,"href":"http:\/\/livre-europeen.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fannees&post=6194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}